About

These are some things I think about. This is what I do about it.

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oddlyclad:

forthegothicheroine:

black-stabbathh:

marvelously-lost:

mementomoriiv:

Kevin Francis Gray - Ghost Girl

I’ve seen this posted before, but I had never seen the face

this is incredible

this is so beautiful

I’m stunned.

I really wanted it to be a shower.

retropopcult:

Lena Horne, Lauren Bacall and Vivien Leigh

retropopcult:

Lena Horne, Lauren Bacall and Vivien Leigh

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current self

current self


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vintagegal:

Marilyn Monroe in The Seven Year Itch (1955)

vintagegal:

Marilyn Monroe in The Seven Year Itch (1955)


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self
worrystories:

Flowering Shrubs and Plants, James Kimrey Hindle (After Jan Van Eyck)

self

worrystories:

Flowering Shrubs and Plants, James Kimrey Hindle (After Jan Van Eyck)


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superseventies:

Model wearing hot pants and painted platforms, 1970s.

superseventies:

Model wearing hot pants and painted platforms, 1970s.


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Favorite FilmsVertigo (1958)

I made a mistake. I fell in love. That wasn’t part of the plan. I’m still in love with you. And I want you so to love me. If I had the nerve, I’d stay and lie, hoping that I could make you love me again as I am, for myself, and so forget the other and forget the past. But I don’t know whether I have the nerve to try.

This is the copy I still have from my childhood…the fact that her hair is colored in orange actually makes me suspect this is a scan of my actual personal copy ( I took an orange crayon to Alice around age 5 to make her look more like me)

Printed by Castle Books 1978

This is the copy I still have from my childhood…the fact that her hair is colored in orange actually makes me suspect this is a scan of my actual personal copy ( I took an orange crayon to Alice around age 5 to make her look more like me)

Printed by Castle Books 1978


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the jam

John Maus Quantum Leap (by dclxvinoise)

Shut up

likeafieldmouse:

Zhang Xiangxi

“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art.

Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”